When referring to the concept of ‘blackness’ and ‘whiteness’ in music, it can be useful in identifying the origin, however, this is just a starting point. From this starting point, it is then possible to look at other influential factors such as the class and cultural background. However, it can lead audiences into having a very limited and stereotypical view of different genres
Hatch states how ‘pop music has always depended upon the interaction between white and black traditions’. This was reflected in the 1940’s when black music was trying to take their music mainstream, it only happened when white musicians were singing on their records.
Sam Phillips once said that he would be a millionaire if he found a white man with a “negro sound”. Elvis blurred the lines between ‘black’ and ‘white’ music. Hence I don’t think it is possible to define ‘black’ and ‘white music.
While the phenomenon that you mention did happen in the 1940s, it was far more prevalent in the 1950s.
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