Are blackness and whiteness useful concepts in the study of popular music?

When referring to the concept of ‘blackness’ and ‘whiteness’ in music, it can be useful in identifying the origin, however, this is just a starting point. From this starting point, it is then possible to look at other influential factors such as the class and cultural background. However, it can lead audiences into having a very limited and stereotypical view of different genres

Hatch states how ‘pop music has always depended upon the interaction between white and black traditions’. This was reflected in the 1940’s when black music was trying to take their music mainstream, it only happened when white musicians were singing on their records.

Sam Phillips once said that he would be a millionaire if he found a white man with a “negro sound”. Elvis blurred the lines between ‘black’ and ‘white’ music. Hence I don’t think it is possible to define ‘black’ and ‘white music.

Does the emergence of the digital download signal the end of the music industry?

The ability to buy music digitally has without doubt had a massive effect on the music industry. With websites that allow you to download music illegally being so freely available, it has caused a negative impact on the major record companies. However, following iTunes success on its 10 billionth download, this follow iTunes recent decision to 'change their pricing structure following industry demands for more flexibility and protection against piracy'. It shows there will always be dedicated fans in this world who will always want to credit their favourite band by paying money for their songs. The digital world has a long way to go to stop piracy, but by adapting their ways such as previewing a song before buying, can result in someone buying music they didn't intentionally go to buy and could then make more profit in the long run by visiting concerts and buying more of that music etc.